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Wednesday, June 29, 2011

IMC 2010/11 Progress






With the demands of my summer classes, I'm limited to just a few hours a day to work on these, but I am making progress. The dragon piece has most of the high-flying dragons painted and screened back with glazes of titanium white. I've also worked on the rocks a bit more. The second figure from the left is still bugging me. He feels awkward and a bit off balance. His hands are also a bit chunky.

I'm also resisting the urge to add more dragons to the background behind the figures. The sky behind them feels empty, but I'm going to try to stay true to the original plan. Although, I could easily explore this in Photoshop, along with some brightly colored costumes for the acolytes and their leader.


The "Beauty and the Beast" piece got a bit of refining, mostly in the cast shadows and edges on the figure and the trunk and head of the beast. I also spent some time on the beast's ear. I may end up repainting Michelle's legs completely from the knee down. Something went terribly wrong in that area, and I've lost the sense that she's actually being cradled by the beast's tusks.
Making great progress on this one as well. And a big THANK YOU to Dan Dos Santos for suggesting a stay-wet tray for my acrylics. I've gone about three days without my paints drying out. More on my paints setup next time.

Saturday, June 25, 2011

Painting Progress


I managed to dedicate about four hours to my IMC 2010 and 2011 projects. My new stay-wet painting tray is making a huge difference. That, and the fact that it's a cool day here in the East Bay. My old "Beauty and the Beast" painting has been sitting by my drawing table for over a year now. I hadn't painted in acrylics since last year's IMC. This morning, it felt like a good time to return to the piece after reworking and further developing parts of my dragon painting. I had the idea of adding evidence of wear and tear on the parts of the dragon nearest its exhaust, possibly to suggest the age or health of the monster.


The "Beauty and the Beast" piece just needs many more hours of patience and discipline. I'm approaching with a combination of glazing and opaque applications of paint, slowly finding my way.